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This record is a charming one off. A collection of romantic musical poems was the brainchild of pianist Rob Schwimmer, who at that time experimented with non-mainstream instruments ranging from theremin to daxophone. He co-opted to the project two stars of cerebral East Coast jazz of the 1990s. Theremin never flirted successfully with jazz, but Mark Feldman and Uri Caine were no strangers to classical audience. But, as if overwhelmed by the c.

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